https://draganabulut.com Dragana Bulut Sat, 19 Aug 2023 08:58:56 +0000 https://draganabulut.com en https://draganabulut.com/Home Mon, 28 Feb 2022 18:32:08 +0000 Dragana Bulut https://draganabulut.com/Home https://draganabulut.com/REMAKE Sat, 19 Aug 2023 08:58:56 +0000 Dragana Bulut https://draganabulut.com/REMAKE Comrades, we need your hands, your voices, your presence! Remake invites the audience to step in as extras at the shooting of a film that can only be made together. Just as youth brigades once built roads and railways in Yugoslavia, we gather on stage to rebuild a memory of collective labor and enthusiasm. No previous experience is required – only the willingness to join, to work, to witness, to remake. This is not a performance to be watched at a distance but a call to work, to belong, to participate in a building of the future that was once brighter in the past. Join us! In Remake, Dragana Bulut explores choreographies of nostalgia. Departing from her own Yugo-nostalgic sentiments, she stages a speculative re-enactment of collective voluntary Youth Work Actions in Yugoslavia (ORA) – vast initiatives that mobilized thousands of young people to build roads, railways and public infrastructure. What happens when the old ideologies of collective work are transplanted into new soil? What once belonged to the narrative of socialist progress is reassembled here as a practice of remembering and reimagining what binds us together today. Nostalgia is here not a sentimental longing for the past, but a critical lens attentive to its contradictions and possibilities.Concept, artistic direction, performance: Dragana BulutBy and with: Cécile BallyDramaturgy: Andrew HardwidgeDramaturgical advice: Andrej Mircev, Kareth Schafer, Dragana JovanovićMusic, sound design: Ivan MarićLighting design: Gustav KleinschmidtCinematographer: Joanna PiechottaEditor: Basia NaporaFilm research collaboration: Dragana JovanovićStage design collaboration: Valentina PrimaveraProduction management: M.i.C.A. – Movement in Contemporary ArtAssistance: Cathy Walsh, Ayko BleischThanks to: Andrew Hardwidge, Chrysa Parkinson, Ilse Ghekiere A production by Dragana Bulut in co-production with Sophiensæle. Funded by the Capital Cultural Fund (HKF). Supported by Theaterhaus Berlin, Dancecentrum Stockholm and O Espaço do Tempo.&nbsp;Media partners: Missy Magazine, Siegessäule, taz. https://draganabulut.com/Beyond-Love Wed, 14 Dec 2022 16:32:30 +0000 Dragana Bulut https://draganabulut.com/Beyond-Love What is the future of love? In her new HAU co-production Dragana Bulut explores the commodification of love. Together with the companion robot Harmony, the two performers host the audience at the choreographic speed dating performance for a world in a crisis of intimacy. Through alternating between dating and performative scenarios, they explore the dilemmas of connection: How do dating platforms, relationships mediated by algorithms and love robots change the way we fall in love? If love needs reciprocity, can technology provide it? Or what might we scavenge from its failures? “Beyond Love” is the third part in Dragana Bulut’s trilogy probing the way the emotional spheres are choreographed by the forces of market commodification and technology. After “Behind Fear” and “Happyology – Tears of Joy”, it deals with love in the current third part.&nbsp; Concept, artistic direction, choreography, and performance: Dragana BulutBy and with: Caroline Neill Alexander, Andrew Hardwidge Dramaturgy: Andrew HardwidgeMusic and Sound Design: Evelyn SaylorLighting Design: Fabian Bleich Costume Design: Melisa Minca Stage Design: Jonas Maria Droste, Dragana BulutResearch specialists: Henrich Mellmann, Dr. Yuefang Shou, Kate DevlinProduction Management: Chris Wohlrab (TATWERK)Assistance: Beatrice ZanescoTeasers: Mate UgrinPress: Nora GoresThanks to: Bojana Cvejic, Florian Malzacher, Theaterhaus Berlin Mitte Production: Dragana Bulut. Co-production: HAU Hebbel am Ufer, PACT Zollverein Essen. Funded by: Hauptstadtkulturfonds. In cooperation with: TATWERK | Performative Research.&nbsp;Supported by: Realbotix. The revival is funded by the Berlin Senate Department for Culture and Social Cohesion. <img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7e6650d16d6f7b48c727efa552fba7882572e4c74f667455e3a8119ab3f9704e/Z9006137.jpg" data-mid="172936234" border="0" src="https://freight.cargo.site/w/1000/i/7e6650d16d6f7b48c727efa552fba7882572e4c74f667455e3a8119ab3f9704e/Z9006137.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/34037fcf2d8131faec1fdb5e9501615ec43cee641d4ef697441fc2b9cf5a2d92/Z9006126.jpg" data-mid="172556305" border="0" src="https://freight.cargo.site/w/1000/i/34037fcf2d8131faec1fdb5e9501615ec43cee641d4ef697441fc2b9cf5a2d92/Z9006126.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/73830e60c13c6ef44d43b71625f9754315aaf4204c296b5a73f47a8082aeea23/Z9006195.jpg" data-mid="172556269" border="0" src="https://freight.cargo.site/w/1000/i/73830e60c13c6ef44d43b71625f9754315aaf4204c296b5a73f47a8082aeea23/Z9006195.jpg" /> <img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e2c67d0f48c298f0a3a3e7e06ff811e0867e6d9781dca9f8c9f71ce06b6091f5/Z9006143.jpg" data-mid="172556229" border="0" src="https://freight.cargo.site/w/1000/i/e2c67d0f48c298f0a3a3e7e06ff811e0867e6d9781dca9f8c9f71ce06b6091f5/Z9006143.jpg" /> https://draganabulut.com/Love-at-First-Byte Wed, 14 Dec 2022 15:08:57 +0000 Dragana Bulut https://draganabulut.com/Love-at-First-Byte Love at First Byte is a continuation of Dragana Bulut’s research on commodification of emotions. After dealing with the commodification of happiness and fear in her recent works, she now investigates the commodification of love and its social choreography as a tool to reflect on social changes in our affective realm.&nbsp; This research unpacks the complex relationship between love and technology, focusing on the questions of ethics and the implications new technologies have on the future of human relations. Can technological developments offer alternatives of love, instead of providing further grounds for its commodification? Concept, artistic direction, research leader: Dragana Bulut By and with: Caroline Neill Alexander Dramaturgy: Andrew Hardwidge Lighting Design: Fabian Bleich Technical support: Heinrich Mellman Experts Input: Dr. Yuefang Shou, Kate Devlin Assistance: Benjamin Fischer, Beatrice Zanesco Production Management: Chris Wohlrab (Tatwerk) Production: Dragana Bulut. Co-production: PACT Zollverein (Essen). The realisation of the project has been made possible with funding from the DAKU funds. In co-operation with Tatwerk. Supported by Realbotix <img width="3357" height="2160" width_o="3357" height_o="2160" data-src="https://freight.cargo.site/t/original/i/a107904285638577ec4db55bc93af2591be2030de4c3da7c1a0c35a491ebb14a/DSC00150.JPG" data-mid="177537521" border="0" src="https://freight.cargo.site/w/1000/i/a107904285638577ec4db55bc93af2591be2030de4c3da7c1a0c35a491ebb14a/DSC00150.JPG" /><img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0efb5f45d9f160a40700c4494af2556fc6fd27736d3001e6f957b18c080bd119/Z9006261.jpg" data-mid="177537756" border="0" src="https://freight.cargo.site/w/1000/i/0efb5f45d9f160a40700c4494af2556fc6fd27736d3001e6f957b18c080bd119/Z9006261.jpg" /><img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f9a6c715274054e48b5b23845f65f8dadefcd9942ec3575bff7564c11bab3e42/Z9006178.jpg" data-mid="178776259" border="0" src="https://freight.cargo.site/w/1000/i/f9a6c715274054e48b5b23845f65f8dadefcd9942ec3575bff7564c11bab3e42/Z9006178.jpg" /><img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c67335110164a57fc0b8fa4c68fb101bd8a7b09aec7ac15eb7b38fd890291731/Z9006254.jpg" data-mid="178776231" border="0" src="https://freight.cargo.site/w/1000/i/c67335110164a57fc0b8fa4c68fb101bd8a7b09aec7ac15eb7b38fd890291731/Z9006254.jpg" /><img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0731caa223ec72d8b8444fe5450e307f2a77322703b01c7fd533a96ad0e97701/Z9006273.jpg" data-mid="178776234" border="0" src="https://freight.cargo.site/w/1000/i/0731caa223ec72d8b8444fe5450e307f2a77322703b01c7fd533a96ad0e97701/Z9006273.jpg" /><img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ba568e83a75412c09202670a4fa84dafa3d969ad2b3d5134c6889a7ee6d65a57/Z9006208.jpg" data-mid="178776228" border="0" src="https://freight.cargo.site/w/1000/i/ba568e83a75412c09202670a4fa84dafa3d969ad2b3d5134c6889a7ee6d65a57/Z9006208.jpg" /> https://draganabulut.com/Behind-Fear Fri, 12 Feb 2021 14:28:39 +0000 Dragana Bulut https://draganabulut.com/Behind-Fear &nbsp;Behind Fear <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/beebcdfd36e3fe303f0c11ba4475eb006870bf4f71ad4e6895278f98cde60b11/BehindFear_DorotheaTuch_3947_o.jpg" data-mid="134901169" border="0" src="https://freight.cargo.site/w/1000/i/beebcdfd36e3fe303f0c11ba4475eb006870bf4f71ad4e6895278f98cde60b11/BehindFear_DorotheaTuch_3947_o.jpg" /> Better safe than sorry! In her new production Dragana Bulut stages choreographies of fear by exploring paradoxes of security and safety culture. Through the playful appropriation of safety and wellness procedures Behind Fear navigates external as well as an internal sense of safety and mechanisms through which our desire for it is constructed. The security guard team&nbsp;attempts&nbsp;to secure the viewer from the horror of the moving, lurking danger that is too quick to be captured, yet real enough to affect. When confronted with the dangers of the theater space we can fight, flight, freeze or take precautionary measures. But what if we take a risk to enjoy their dangerous beauty? Concept, artistic direction, choreography and performance: Dragana BulutBy and with: Caroline Neill Alexander, Tian Rotteveel, Mohanad Al-Rim, Nancy MeissnerDramaturgical Advice: Maja Zimmermann, Thomas SchauppMusic and Sound Design: Tian RotteveelLighting Design: Elliott CennetogluStage Design: Jonas Maria DrosteResearch collaboration: Minna PartanenResearch specialist: Franziska Dietrich, Julian Hanich, Alex Williams, Carnelian King, Ben Woodard, Sebastian VogtProduction Management: Marit Buchmeier, Lisanne Grotz / xplusdrei ProduktionsbüroTeaser and Photos: Mate Ugrin Thanks to: Bojana Cvejic ,Theaterhaus Berlin Mitte, Luka Ivanovic Production: Dragana Bulut. Co-production: HAU Hebbel am Ufer Berlin, PACT Zollverein (Essen). The realization of the project has been made possible with funding from the Capital Cultural Fund.&nbsp; <img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/631bf2551216c2c089c5e9960f3f555fc25e7748c269c47bf7d906ecf932fbfd/BehindFear_DorotheaTuch_3911_o.jpg" data-mid="134901175" border="0" src="https://freight.cargo.site/w/1000/i/631bf2551216c2c089c5e9960f3f555fc25e7748c269c47bf7d906ecf932fbfd/BehindFear_DorotheaTuch_3911_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/be90d25629111de2e31e5b58f3efd9eda33498c70bc9bdb1cb2f5514604c4923/BehindFear_DorotheaTuch_4282_o.jpg" data-mid="134901171" border="0" src="https://freight.cargo.site/w/1000/i/be90d25629111de2e31e5b58f3efd9eda33498c70bc9bdb1cb2f5514604c4923/BehindFear_DorotheaTuch_4282_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/dfe83b47d0c68f47f17a8732af5b2bf89aacef95ed5cc913f0fa8cbcfb7f0827/BehindFear_DorotheaTuch_4134_o.jpg" data-mid="134901170" border="0" src="https://freight.cargo.site/w/1000/i/dfe83b47d0c68f47f17a8732af5b2bf89aacef95ed5cc913f0fa8cbcfb7f0827/BehindFear_DorotheaTuch_4134_o.jpg" /> Dragana Bulut “Behind Fear” | Teaser from HAU Hebbel am Ufer on Vimeo. https://draganabulut.com/Future-Fortune Tue, 29 Sep 2020 22:21:41 +0000 Dragana Bulut https://draganabulut.com/Future-Fortune <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/72dbd3ca698f6a748af979ba3bb8dbb370de36a14f8b4c86001a24c22f119ce6/FutureF_1200_o.jpg" data-mid="134901189" border="0" src="https://freight.cargo.site/w/1000/i/72dbd3ca698f6a748af979ba3bb8dbb370de36a14f8b4c86001a24c22f119ce6/FutureF_1200_o.jpg" /> photo@Dorothea Tuch What will our future look like, starting with this present now? In a time of constant uncertainties, in her new production Dragana Bulut explores how people use different strategies in order to predict and also shape their future. Together on stage with a semi-humanoid robot, she looks into the tension between determinism, free will and choice making. Thereby she also refers to the influential but almost forgotten play R.U.R. by Karel Čapek, who introduced the term ‘robot’. Using tools of classic science fiction, the performance time travels through the temporality of its own production within the contemporary art market. Is the future already determined by the present? If so, what happens when we sacrifice the present for the construction of the future? Concept, artistic direction and choreography: Dragana Bulut / By and with: Dani Brown, Dragana Bulut / Dramaturgy: Ana Vujanović, Maja Zimmermann / Lighting Design: Joseph Wegmann / Sound Design: Raphaela Andrade Cordova / Sound Research: Tian Rotteveel / Consulting Stage &amp; Light Design: Jonas Maria Droste / Artistic Collaboration: Kareth Schaffer / Robot Programming: ShowBotiXX (Thorben Seeland), Heinrich Mellmann / Press: AugustinPR / Photo- and Video Documentation: Marta Popivoda / Production Management: Joseph Wegmann, Francesca Spisto / Production Assistance: Tamara Antonijević CreditsProduction: Dragana Bulut. Co-production: HAU Hebbel am Ufer Berlin, PACT Zollverein (Essen). Funded by: Berlin Senat Department for Culture and Europe, by the NATIONALES PERFORMANCE NETZ Coproduction Fund for Dance, funded by the Federal Government Commissioner for Culture and the Media. Supported by: Bitef Theater Belgrade, Station Service for contemporary dance Belgrade. In co-operation with: ShowBotiXX (Rainer E. Becker and Matthias Hoffman). Thanks to: Adaptive Systems Group, Department of Computer Science, Humboldt-Universität zu Berlin <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/69e620f548c5e7e6f39de06ef9dbca873be3ad3c1869c4c4ed02a0d4a8ef737c/FutureFortune_DorotheaTuch_1344_o.jpg" data-mid="134901188" border="0" src="https://freight.cargo.site/w/1000/i/69e620f548c5e7e6f39de06ef9dbca873be3ad3c1869c4c4ed02a0d4a8ef737c/FutureFortune_DorotheaTuch_1344_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/fb99b3c23fec57a42b2928201bb0613adb166bfab8174dd8481ebcb88a580a8f/FutureF_1286_o.jpg" data-mid="134901191" border="0" src="https://freight.cargo.site/w/1000/i/fb99b3c23fec57a42b2928201bb0613adb166bfab8174dd8481ebcb88a580a8f/FutureF_1286_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/dd0c995767ccb615cb513037c952ddd53ea88b0fd4668450f73d95b21cb521c7/FutureFortune_DorotheaTuch_1153_o.jpg" data-mid="134901190" border="0" src="https://freight.cargo.site/w/1000/i/dd0c995767ccb615cb513037c952ddd53ea88b0fd4668450f73d95b21cb521c7/FutureFortune_DorotheaTuch_1153_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/49a326674c1b364cca11aa7fb80174aef3dd39b013d8e97cf9194587329f74ef/FutureFortune_DorotheaTuch_1223_o.jpg" data-mid="134901186" border="0" src="https://freight.cargo.site/w/1000/i/49a326674c1b364cca11aa7fb80174aef3dd39b013d8e97cf9194587329f74ef/FutureFortune_DorotheaTuch_1223_o.jpg" /> FUTURE FORTUNE from Dragana Bulut on Vimeo. https://draganabulut.com/Happyology-Tears-of-Joy Sat, 13 Oct 2018 08:32:31 +0000 Dragana Bulut https://draganabulut.com/Happyology-Tears-of-Joy <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/144fa78ea6dcf3b964ba343067c2133c5002dc056ae75dc1017c3a3d879989ee/HAP_4895_o.jpg" data-mid="134901194" border="0" src="https://freight.cargo.site/w/1000/i/144fa78ea6dcf3b964ba343067c2133c5002dc056ae75dc1017c3a3d879989ee/HAP_4895_o.jpg" /> photo @Dorothea Tuch Self-optimization is on everyone’s tongue. So, how much does the prevailing requirement to always be happy influence our behaviour and our subjectivity? In her first HAU co-production, Dragana Bulut and her team examine the promises and paradoxes of positive psychology. To this end, life coaching plays a big role in increasing physical and mental well-being. Through the playful appropriation and deconstruction of different coaching methods, the choreographer places individual desires in contrast with the commercialization and instrumentalisation of happiness and paints an uncanny picture of the individual torn by sadness-burning life strategies. With this work, Dragana Bulut continues her staging of social choreographies, in continual pursuit of the question of how our feelings , desires and fears are commodified. Concept, artistic direction and choreography Dragana BulutBy and with Andrew Hardwidge, Kareth SchafferDramaturgy Ana VujanovićLighting design Joseph WegmannSound design Neda SanaiArtistic assistance Helen SchröderPress and production björn &amp; björn Production: Dragana Bulut. Co-production: HAU Hebbel am Ufer. Funded by the Senate Department for Culture and Europe. Supported by PACT Zollverein Essen and Station Service for Contemporary Dance Belgrade. Thanks to: Chris Scherer, Alex Baczynski-Jenkins, Zeina Hanna, Ksenija Djurović, Janja Valjarevic <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4919779e528f08aa07d418c9d782d2f49b258b47cae061432f1110998f798d9b/Happyology_4867_o.jpg" data-mid="134901196" border="0" src="https://freight.cargo.site/w/1000/i/4919779e528f08aa07d418c9d782d2f49b258b47cae061432f1110998f798d9b/Happyology_4867_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/42bb62bd24d7f5db698efcb9e1cf68aa6a6a3e9f8130759b0567e3e582f58963/Happy_4717_o.jpg" data-mid="134901198" border="0" src="https://freight.cargo.site/w/1000/i/42bb62bd24d7f5db698efcb9e1cf68aa6a6a3e9f8130759b0567e3e582f58963/Happy_4717_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/068655e795dce6fbfad2e79b4b886f6520831bf37b5e9dd469d3f196215b6f48/HAP_4770_o.jpg" data-mid="134901193" border="0" src="https://freight.cargo.site/w/1000/i/068655e795dce6fbfad2e79b4b886f6520831bf37b5e9dd469d3f196215b6f48/HAP_4770_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/d95963eedd9e5ef482f98ee4c00fbf2d7e7abd13fb638a5dc04d8959186314de/HAP_4856_o.jpg" data-mid="134901197" border="0" src="https://freight.cargo.site/w/1000/i/d95963eedd9e5ef482f98ee4c00fbf2d7e7abd13fb638a5dc04d8959186314de/HAP_4856_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/bd5da3e039f597a8465ff09e5aec7c2653130d58a7df6805cae0367c907d1a97/Happyology_6167_o.jpg" data-mid="134901195" border="0" src="https://freight.cargo.site/w/1000/i/bd5da3e039f597a8465ff09e5aec7c2653130d58a7df6805cae0367c907d1a97/Happyology_6167_o.jpg" /> Happyology by Dragana Bulut | 10. – 13. October 2018 | HAU3 Hebbel am Ufer Berlin from work book on Vimeo. https://draganabulut.com/Cabinet-of-Happiness Mon, 28 May 2018 09:45:28 +0000 Dragana Bulut https://draganabulut.com/Cabinet-of-Happiness <img width="1280" height="816" width_o="1280" height_o="816" data-src="https://freight.cargo.site/t/original/i/ac7a0f4f07d6476775cf9f8e27057a443f7e498ee5fdcb8a08c82c2792b729c9/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4941.jpg" data-mid="134901202" border="0" src="https://freight.cargo.site/w/1000/i/ac7a0f4f07d6476775cf9f8e27057a443f7e498ee5fdcb8a08c82c2792b729c9/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4941.jpg" /> Everyone can change their lives and become happy, (but how?)" is the question of the life coach Dragana Bulut. She is an artist of happiness. Together with her colleague Helen Schröder she is empowering people to lead a life of harmony, love and happiness through giving them the tools to acquire all that they desire. Cabinet of Happiness by Dragana Bulut Performances by coach Dragana Bulut and personal trainer Helen Schröder Dramaturgy coach: Ana Vujanovic Light coach: Joseph Wegmann The Museum Folkwang shows the first museum exhibition of Dragana Bulut. Cabinet of Happiness the Berlin-based choreographer and performer Dragana Bulut examines the promises and methods of positive psychology. Through appropriating various forms of coaching, she explores the questions behind the ideology of happiness today and the way in which the pressure of happiness choreographs our behavior and affects the creation of subjectivity. Visitors have the possibility to join different coaching sessions, each with a different approach and aim. In the coaching "Express," participants learn to relax in no time. In "Twist," they can experience a completely new method of positive thinking and empathic feeling, possibly changing their life for the good. Or, in "Hedonimeter," participants can literally observe how their level of happiness grows steadily by employing specific techniques. This work continues Dragana Bulut’s interest in staging social choreographies that ground on the tension between the material and the immaterial, object and affect, reality and fiction. Her performances examine the way feelings, wishes and fears are commercialised. <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/4fa6c5de0a20a032b927b1115c4d64f6e023e04ff02f02a1c7a4bed8c469e72a/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_BF3A2126.jpg" data-mid="134901203" border="0" src="https://freight.cargo.site/w/1000/i/4fa6c5de0a20a032b927b1115c4d64f6e023e04ff02f02a1c7a4bed8c469e72a/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_BF3A2126.jpg" /> <img width="1280" height="883" width_o="1280" height_o="883" data-src="https://freight.cargo.site/t/original/i/bb37cec3e646e34e5127237afee8e96c34e42d5f4f26d596f2eeced72afa4374/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4973.jpg" data-mid="134901200" border="0" src="https://freight.cargo.site/w/1000/i/bb37cec3e646e34e5127237afee8e96c34e42d5f4f26d596f2eeced72afa4374/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4973.jpg" /> <img width="1440" height="808" width_o="1440" height_o="808" data-src="https://freight.cargo.site/t/original/i/77da81b242c34a029f9af1cc7f9f4788c291328e98b67c948975f8b61e307ba1/Screen-Shot-2018-05-28-at-3.35.20-PM.jpg" data-mid="134901201" border="0" src="https://freight.cargo.site/w/1000/i/77da81b242c34a029f9af1cc7f9f4788c291328e98b67c948975f8b61e307ba1/Screen-Shot-2018-05-28-at-3.35.20-PM.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/0c84efefc90d01e9b5152d808f479d50e466eed5716278421a8900f64f6d396b/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4968.jpg" data-mid="134901204" border="0" src="https://freight.cargo.site/w/1000/i/0c84efefc90d01e9b5152d808f479d50e466eed5716278421a8900f64f6d396b/MFolkwang_-6-1_2_Wochen_-Dragana-Bulut_-Cabinet-of-Happiness_Mai-2018_Foto-Tanja-Lamers_IMG_4968.jpg" /> https://draganabulut.com/The-Art-of-Happiness Tue, 26 Nov 2019 15:28:57 +0000 Dragana Bulut https://draganabulut.com/The-Art-of-Happiness <img width="3776" height="2520" width_o="3776" height_o="2520" data-src="https://freight.cargo.site/t/original/i/876a0ed14bcddcc96ecfa08db5d2d305a48be3b8d21bb4e9a8071639884f9b0a/The-Art-of-Happiness.jpg" data-mid="134901206" border="0" src="https://freight.cargo.site/w/1000/i/876a0ed14bcddcc96ecfa08db5d2d305a48be3b8d21bb4e9a8071639884f9b0a/The-Art-of-Happiness.jpg" /> Life is meant to be fun… not just on weekends! What would your life be like if you lived it to the fullest? Take a moment to imagine it! - - - You are not sure where to turn and what to do next? Within the little time we have together during this occasion I can provide you with programs to help you clarify what it is that you want, and give you the tools to achieve those desires. Through the practice of - The Art of Happiness, I will help you find out how to build your best life. Join me in this discovery. LIFE COACH Dragana Bulutt PERSONAL TRAINER Zeina Hanna DRAMATURGY COACH Ana Vujanović With the support of FD13 residency for the arts / Koproduktion Theaterdiscounter - Monologfestival 2016 / Theater Rampe Stuttgart Dragana Bulut is an artist of happiness whose mission is to guide, teach, coach, and empower people to use their thoughts and feelings as a guide to leading a life full of harmony, love and happiness. After working as a choreographer and performer Bulut shifted her carrier into the field of life coaching. Her strength in coaching is in the area of creativity, self esteem and creating happiness irrespective of what is happening in her clients’ life, which helps in manifesting one’s true desires. https://draganabulut.com/Archiv-Arbeit-VI Sat, 19 Mar 2016 15:50:50 +0000 Dragana Bulut https://draganabulut.com/Archiv-Arbeit-VI <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/2d460bad96e06b08692106880e3c8e9b17b060365dadce8a47f63c337469edda/Dragana_7567_1.jpg" data-mid="134901211" border="0" src="https://freight.cargo.site/w/1000/i/2d460bad96e06b08692106880e3c8e9b17b060365dadce8a47f63c337469edda/Dragana_7567_1.jpg" /> photo @ Dorothea Tuch ARCHIV ARBEIT VI is a commission work created in the frame of Julius-Hans-Spiegel-Zentrum. It is a celebration of legendary Serbian choreographer and dancer Kokana Šanić Koka’s anniversary. In a setting between tavern and cabaret Kokana is time traveling and questioning the notion of exoticism in German expressionist dance. With a background in folk dance, cabaret and magic, she has developed a performative practice that has been acclaimed and deeply appreciated in her local context and has strongly influenced a number of young Balkan choreographers. She has performed with Meg Stuart, Tino Sehgal, Sent M’Ahesa, Ivo Dimchev, among others, and together with writer Ana Vujanović, she ran a small travelling shop selling Balkan theoretical and artistic souvenirs. This will be the first occasion to gain insight into her seminal work up-close in Berlin. The JULIUS-HANS-SPIEGEL-ZENTRUM - As a mobile research space, the Julius-Hans-Spiegel-Zentrum examines the interweaving of different dance cultures since the modern period. CONCEPT/PERFORMANCE Dragana Bulut DRAMATUTGY Ana Vujanovic CURATED by Anna Wagner, Eike Wittrock PRODUCED by Julius-Hans-Spiegel-Zentrum GbR, in cooperation with the Internationalen Forschungskolleg Verflechtungen von Theaterkulturen, the Lipperheidesche Kostümbibliothek, the Staatliche Museen zu Berlin and SOPHIENSÆLE. Funded by the Hauptstadtkulturfonds. With friendly support of Akt-Zent e.V.. <img width="3575" height="2384" width_o="3575" height_o="2384" data-src="https://freight.cargo.site/t/original/i/b573327150e121932fd612aca2608de6afe88c138d5720f584b320831cbe3c44/Dragana_7333.jpg" data-mid="134901212" border="0" src="https://freight.cargo.site/w/1000/i/b573327150e121932fd612aca2608de6afe88c138d5720f584b320831cbe3c44/Dragana_7333.jpg" />